The New York Times
November 4, 2009
By COLSON WHITEHEAD
ONE year ago today, we officially became a postracial society. Fifty-three percent of the voters opted for the candidate who would be the first president of African descent, and in doing so eradicated racism forever.
How do I know? I have observed that journalists employ Google searches to lend credence to trend articles, so I compared recent hits on the word “postracial” with those of a previous year. There have been more than 500,000 online mentions of postraciality this year, as opposed to absolutely zero in 1982. Some say that’s because the Internet didn’t really exist back then. I prefer to think it’s because we’ve come a long way as a country.
There are naysayers, however, who believe that we can’t erase centuries of entrenched prejudice, cultivated hatred and institutionalized dehumanization overnight. Maybe we haven’t come as far as we think. That’s why I’d like to throw my hat in the ring for the position of secretary of postracial affairs. (I like postracial czar, but czars have been getting a bad rap lately.)
Call me presumptuous, but I’ve already bought three-by-five cards and jotted down notes. To wit: Sociologists say that racism is a construct, which means that our predicament is what we in the business world call a “branding problem.” Time and time again, attempts to reduce a wildly diverse community to an ineffectual blanket term have yielded diminishing results. “Colored” lasted 82.3 years, “Negro” less than half that. “African-American” was challenged by “People of color” after an even shorter reign. May I suggest “People Whose Bodies Just Happen to Produce More Melanin, and That’s O.K.,” or PWBJHTPMMATOK? It’s factually accurate, non-threatening and quite pithy. The N.A.A.C.P. says it’s on board if we pitch in for changing the letterhead.
Pop culture is the arena for our hopes, our fears and our most cherished dreams. It is our greatest export to the world. That’s why as your secretary of postracial affairs I’ll concentrate on the entertainment industry.
Some changes will be minor. In television, “Diff’rent Strokes” and “What’s Happening!!” will now be known as “Different Strokes” and “What Is Happening?” Other changes will be more drastic. “Sanford and Son” trafficked in demeaning stereotypes. In these more enlightened times, everyone knows that one person’s “junk” is another’s compulsive eBay purchase. A more postracially robust version features Sanford père as the genius behind a community-based auction site, with his son, Lamont, the reluctant Webmaster. Think of the opportunities for fleet-footed banter and sophisticated, pun-based aperçus. Like “Frasier,” but postracial.
Full Opinion: http://www.nytimes.com/2009/11/04/opinion/04whitehead.html?th&emc=th
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