The New York Times
Published: December 22, 2008
By BRENT STAPLES
Nazi hunters have made an art of exposing war criminals through photographs taken in the death camp era. This strategy would have worked well against Southern lynch-mob killers who posed for the camera while murdering African-Americans in a campaign of terror that persisted into the mid-20th century.
Black American lives were viewed as expendable in the pre-civil rights South. The murderers who hanged, dismembered or burned black victims alive — before crowds of cheering onlookers — knew well that the law would not act against them. These savage rituals were meant to keep the black community on its knees.
The white men and women who flocked to these carnivals of death sometimes brought along young children, who were photographed no more than an arm’s length away from a mutilated corpse. These photos were often turned into grisly postcards that continued to circulate even after Congress made it illegal to mail them.
A particularly vivid lynching postcard depicts the charred and partially dismembered corpse of Jesse Washington, who was burned before a crowd of thousands in Waco, Tex., in 1916.
The card, which appears to have been written by a white spectator to his parents, is signed “your son Joe.” He refers to the horrific murder — in which the victim’s ears, fingers and sexual organs were severed — as the “barbecue we had last night.” He identifies himself in the crowd by placing a mark in ink about his head.
Full Story: http://www.nytimes.com/2008/12/22/opinion/22mon4.html?_r=1&th&emc=th
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